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Mark Morris: L'Allegro, il Penseroso
et il Moderato, June 1997 Opinions on this site, it has to be said, ranged from strong dislike through disappointment to passionate enjoyment. Judging from the ovations both nights I went, and what I've seen so far of the critics' opinions, I think on this occasion the more positive views prevail. For myself, I found it irresistible - by turns exhilarating, moving, beautiful and funny, in total it's a life-enhancing piece that gave me one of my happiest ever evenings in the theatre. No-one today except Morris and Paul Taylor can produce such results through perfect simplicity. It's helped by the lovely music - Morris famously is particularly attracted to this period. There was a starry line-up of singers, of whom my favourites were the rapidly rising tenor Ian Bostridge, and the counter tenor Michael Chance - a specially appropriate choice as I've long thought that if Mark Morris were a singer, he'd be Michael Chance. The setting was almost entirely in plain colours, enhanced by gauzes and some wonderful lighting - if you've only seen 'L'Allegro' on television you get no idea of how beautiful it looks. They can't come back soon enough for me. http://www.ballet.co.uk/old/reviews_short_2.htm
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